His musical works are exemplary models of artistic investigation, for their depth of engagement with the grey areas of artistic practice and fine attention to the subtle crevices through which intensely concatenated meaning can be wondrously glimpsed. eldritch jumps selflessly into the problematic, setting up aesthetic conjunctions which cannot be absorbed into reductive categories, but which resolutely unlock the floodgates of a critical listening ethic. It is the listener in his/her capacity as co-creator (pace Duchamp and Cage) wherein eldritch’s progressive ethics can be gleaned: art as open dialogue, subversion, dehierarchization—a means of returning the listener’s sense of the world to one imbued with wonder and amazement. His eccentrically inventive forms and reconfigurations of idioms are but two acute indicators of an unerring ability to scumble the waters of easy semantic sailing, drawing the listener into a convulsive, rhizomic zone of inquiry. -- Marc Couroux (2007)
